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EPCDI. Luis Garay (Bs.As.) y Alejandro Ahmed (Cena11 Br.)
⏲ 1 min 83 sec ✓ 31-Jan-2012
The Rock & Roman Reigns vs. Cody Rhodes & Seth Rollins – Road to WrestleMania XL: WWE Playlist
⏲ 45 minutes 11 seconds 👁 1.4M
FULL MATCH: Roman Reigns vs. Samoa Joe: WWE Backlash 2018
⏲ 24 minutes 20 seconds 👁 2.3M
Möglichkeitsraum II (The Blast of the Possible) with Brian Holmes
⏲ 44 min 97 sec ✓ 01-Jul-2010
FULL MATCH: Roman Reigns vs. King Corbin — TLC Match: WWE TLC 2019
⏲ 24 minutes 35 seconds 👁 218.6K
WWE 2 May 2024 Roman Reigns VS. Brock Lesnar VS. The Rock VS. Cody Rhodes VS. All Raw SmackDown
⏲ 28 minutes 21 seconds 👁 681.2K
I LOVE BEND OR - Looking back on 2013
⏲ 5 min 41 sec ✓ 31-Dec-2013
Capturing WW1 Remembered Light & Sound Show 2015
⏲ 1 min 96 sec ✓ 28-May-2015
WW100 Censorship Campaign
⏲ 1 min 10 sec ✓ 05-Sep-2018
Sarah Branham
⏲ 3 min 24 sec ✓ 04-Jun-2015
photo::vienna | flash::back 2015
⏲ 2 min 52 sec ✓ 27-Nov-2015
The Day the World Ended - WW3 Simulation
⏲ 3 min 45 sec ✓ 22-Nov-2012
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_epcdi-luis-garay-bs-as-y-alejandro-ahmed-cena11-br.webp "EPCDInEstudio para certezas de incompletud.nnEs un situación coreográfica siempre cambiante,en donde trabajamos vía internet, como soportenestético y territorio conceptual. EPCDI trabaja lidia con la idea de distancia, nocomo falta, sino como lugar de encuentro en la diferencia.nExploramos también la idea proceso creativo, como una situación espectral (sin lugar), que nos impulsa a descubrir recursos adaptativos,nque, también en la danza, generamos para lidiar con una estética que se")
_the-rock-amp-roman-reigns-vs-cody-rhodes-amp-seth-rollins-road-to-wrestlemania-xl-wwe-playlist.webp "WWE")
_full-match-roman-reigns-vs-samoa-joe-wwe-backlash-2018.webp "WWE")
_mglichkeitsraum-ii-the-blast-of-the-possible-with-brian-holmes.webp "The cultural theorist Brian Holmes performs four audiovisual regimes that have emerged in the, USA since WW II: broadcast television in the Cold War consumer society; video as a subversion of the televisual norm; networked computing and its new forms of “control environments”; and new communication tactics of migration movements. The documentation of the live editing is shown in the gallery from an off screen point of view, preserving a trace of the performace on the narration of the archive")
_full-match-roman-reigns-vs-king-corbin-tlc-match-wwe-tlc-2019.webp "WWE")
_wwe-2-may-2024-roman-reigns-vs-brock-lesnar-vs-the-rock-vs-cody-rhodes-vs-all-raw-smackdown.webp "Predators Wrestling")
_i-love-bend-or-looking-back-on-2013.webp "Since April 2010, there hasn't been a day where I have missed capturing and sharing a daily photo of Bend on my I LOVE BEND OR Facebook page. This video sums up yet another great year of living and photographing in the place I love and call home - Bend Oregon! nnThank you for all your support and for loving Bend. nnHappy New Year! nnJill Rosellnnww.jillrosellphotography.com")
_capturing-ww1-remembered-light-amp-sound-show-2015.webp "Pocket edition doco of WW1 Remembered Light & Sound Show 2015, a requiem for war projected on Carillon and Dominion Museum building for the opening of Pukeahu National War Memorial Park in 2015. Check out the fresh video of the 2016 show experience at https://vimeo.com/173428534 another nugget from the house of Transmit.nnDoco film created by the house of Transmit, with thanks to Arthur Chan & Mike Potton for the filming and Cine Timore collaborator Hamish McCormich for the edit.nnThe WW")
_ww100-censorship-campaign.webp "100 years ago, censorship restrictions during the First World War saw newspaper headlines portray disastrous battles as decisive victories. At home and abroad, everything from mail and telegrams, to plays and photographs, were subject to inspection and censorship.nnThough censorship may seem like an archaic subject, fake news is nothing new. With this in mind, New Zealand's First World War Centenary (WW100) programme came to us to put wartime censorship under the spotlight. With censorship as th")
_sarah-branham.webp "This video is Closed Captioned. (CC)nTo turn on captions or subtitles when viewing a video, click the (CC) button in the player's toolbar. In the menu that appears, select the caption or subtitle track you’d like to see. Please check the accessibility options on your device to enable this service.nnSarah Branham. Senior EditornSimon & SchusternnSarah Branham began her career in publishing in 1996. After attending the Radcliffe Publishing Course, she worked as a publicity assistant at W.W.")
_photovienna-124-flashback-2015.webp "mit Dank an:nn//die Jury der photo::vienna | werkschau 2015:nAlex Wiederin, Creative Director Büro New YorknAlfred Weidinger, COO Belvedere/ 21er Haus nElfie Semotan, FotografinnHeribert Corn, Fotograf u.a. für Falter, derStandardnMarlies Wirth, Kuratorin MAKnMatthias Herrmann, FotografnPetra Percher, Die Presse EditionnRebekka Reuter, Chefkuratorin WestLicht/ OstLichtnStephan Hilpold, Leitung Rondo, derStandardnTom Wallmann, Marketing Director, Marc O´PolonVerena Kaspar-Eisert, Kuratorin Kun")
_the-day-the-world-ended-ww3-simulation.webp "In order to watch Part 2, Visit: http://FutureMoneyTrends.com/TheEndnnIsrael Strikes Iranian Nuclear Sites In New WW3 Simulation nnThe Day The World Ended - WW3 Simulation by FutureMoneyTrends.comnnFutureMoneyTrends.com, a top trends research newsletter, has released a World War 3 simulation video,")
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