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HEALING PROTOCOLS (demo version work in progress)
⏲ 1 min 51 sec ✓ 01-Aug-2021
Bodies of Saltwater: Painter of Light
⏲ 2 min 38 sec ✓ 22-Nov-2016
Sea Change
⏲ 68 sec ✓ 02-Feb-2018
Black Love
⏲ 9 min 67 sec ✓ 18-Feb-2012
THIS IS NOT A DRILL
⏲ 2 min 25 sec ✓ 26-Jul-2022
Inconvenient Indian (Trailer 02min28s)
⏲ 1 min 49 sec ✓ 15-Sep-2020
One Way Part I
⏲ 3 min 52 sec ✓ 06-Jun-2016
Such ComplexityAir & Wood Promo Trailer (2021, H264.mov)
⏲ 65 sec ✓ 17-Mar-2021
Tony Albert, 'Valley Walkabout' (2022)
⏲ 90 sec ✓ 15-Nov-2022
E-rasure Poem 1
⏲ 1 min 23 sec ✓ 18-Jul-2013
notas de um aparente desvio | confirmação
⏲ 2 min 19 sec ✓ 29-Mar-2021
Rise of the Cosmos
⏲ 14 min 69 sec ✓ 26-Sep-2020
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_black-love.jpg "Black Love is a video rendition of a prose-poem of the same name (published in Shearsman, Exeter 2005). It utilises image sequences that invoke their own erasure. The voice-over was recorded at 291 Gallery (London) in 2004. The video was shot in various locations over a number of years, using black & white Russian Super-8 stock and DV video. Optimal viewing conditions: dark & silence.")
_healing-protocols-demo-version-work-in-progress.webp "A documentation of the creation of HEALING PROTOCOLS, an installation by Daniela Naomi Molnar and Alicia Jo Rabins. **This is a demo version/work in progress documentation.**nnHEALING PROTOCOLS is a multidisciplinary installation by Daniela Naomi Molnar and Alicia Jo Rabins which uses erasure poetry, Jewish mystical traditions, sound environment, and sculpture to alchemically transform the antisemitic text Protocols of the Elders of Zion into a work of healing. nnThe Protocols fueled waves of an")
_bodies-of-saltwater-painter-of-light.webp "Bodies of Saltwater is an evocative, light-drenched work that plays at the intersection of Derek Walcott’s poetry and J.W.Turner’s paintings to create a multi-media, embodied ethnopoetic response to Caribbean and British representations of the historical ocean. It takes inspiration from Catherine Dunham technique, Caribbean carnival aesthetic, German expressionism, and contemporary choreography that echos the africanist diasporic movement canon. In this 2016 rendition, preludes and operatic")
_sea-change.webp "Made as part of the Wild Whispers international poetry film project:nhttps://wildwhispers.blog/nnThis video follows Othniel Smith's Chwiliad: https://vimeo.com/250010457nThe original poem was by Chaucer Cameron, but it had been changed almost beyond recognition by the time it got to me. Sharon Larkin's translation from the Welsh was the version I got. Via erasure and some free footage of surf at night it turned it into a poem about the sea, whence")
_black-love.webp "Black Love is a video rendition of a prose-poem of the same name (published in Shearsman, Exeter 2005). It utilises image sequences that invoke their own erasure. The voice-over was recorded at 291 Gallery (London) in 2004. The video was shot in various locations over a number of years, using black & white Russian Super-8 stock and DV video. Optimal viewing conditions: dark & silence.")
_this-is-not-a-drill.webp "The poem “This is not a drill” is taken from Koleka Putuma’s second poetry collection : Hullo, Bu-Bye, Koko, Come In... going straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts.nn“I wanted these excerpts to serve as a conversation between the poems and an archive of sorts - an archive of black women (living and dead) who are looked at, celebrated, uncited, erased and exploited. I wanted to make visible the words of black women who ha")
_inconvenient-indian-trailer-02min28s.webp "Inconvenient Indian dives deep into the brilliant mind of Thomas King, Indigenous intellectual, master storyteller, and author of the bestselling book The Inconvenient Indian, to shatter the misconception that history is anything more than stories we tell about the past.nnUnpacking hundreds of years of history, Inconvenient Indian creatively frames Thomas King’s critical journey back through the colonial narratives of North America with Coyote as our cabdriver. “Stories are all we are,” Ki")
_one-way-part-i.webp "This video poem is an erasure of Machinery and the American Standard of Living (1939) published by the Machinery and Allied Products Institute.")
_such-complexityair-amp-wood-promo-trailer-2021-h264-mov.webp "This is our promo trailer for “Such Complexity/Air & Wood.”nn")
_tony-albert-39valley-walkabout39-2022.webp "Tony Albert’s projection 'Valley Walkabout' (2022) considers the surrounding night sky as an infinite canvas, featuring flying creatures such as Superman, bats, spaceships, rockets and planes, and even a flying goldfish – because “the water was getting too hot and it needed to leave its home”. Ever the self-professed 'Australien', Albert might be taken for the Basquiat crown clad E.T. in the middle of the canvas, gazing lovingly into the far reaches of the galaxy as space invaders scout")
_e-rasure-poem-1.webp "A commentary on digital communication in the form of video-erasure poetry.nnnThe original text, which you may be familiar with, can be found here. nnhttp://gawker.com/5994974/the-most-deranged-sorority-girl-email-you-will-ever-read")
![Video installation composed of two videos works projected face to face.nnIn dialogue and dissonance, both videos were produced at different moments of the rise of the recent authoritarian political project in Brazil.nnAntecipação [Anticipation] relates to the tension of the pre-election period, which I experienced vicariously from afar by way of innumerable testimonies and messages from family and friends, whom shared the rise of threats and violence against subjectivities. Subjectivities whic](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8kZQx3BQDmAmDlYGL3Z_D5BGMuBGpjLmpjAwplZzSuLwHmLJWvZwuxZGywMTEwMGt1L_L_LwyvMGDmATV-AmH_ZwV-AJIyA_L_LwpgMS8lZQO-ZGHjXFfbXRucEzyAo3LhL_8cKmRjBGp-AQZ3AQVgAwpmMQx5AzR5AmOwAmN_AmVlLJSvAGAuLzVlBTDkBJAxMTAyBQIwMwMvBJWyAQZ0Lwt3AGLlZwt1MJH3MwMvAl1xYGVjZUtkAGN5v7P/(HiFiMov.co)_notas-de-um-aparente-desvio-124-confirmao.webp "Video installation composed of two videos works projected face to face.nnIn dialogue and dissonance, both videos were produced at different moments of the rise of the recent authoritarian political project in Brazil.nnAntecipação [Anticipation] relates to the tension of the pre-election period, which I experienced vicariously from afar by way of innumerable testimonies and messages from family and friends, whom shared the rise of threats and violence against subjectivities. Subjectivities whic")
_rise-of-the-cosmos.webp "Landscapes are slowly consumed by fog, nature's white noise, and successive layers of fogged studio lighting creating a meditative visual poem of erasure.")
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